Avatar the Last Airbender Art of the Animated Series

Avatar: The Last Airbender—The Art of the Blithe Series is an artbook based on the blithe series Avatar: The Last Airbender. The book contains concept fine art, design works, backside-the-scenes commentary past serial founders Michael Dante DiMartino and Bryan Konietzko, along with other pieces of production artwork.^[two] The book was released in comic book stores on May nineteen, 2010 and in general bookstores on June 2, 2010. It consists of 184 pages, split up into v chapters of the aforementioned fabric, about of which had never been revealed to the public before.^[1] ^[ii] ^[iv]

A second edition of the artbook was released on November 25, 2020, in a standard and deluxe edition, featuring a new cover by Bryan Konietzko, viii pages of new material and an updated foreword by Factor Luen Yang. The deluxe edition also includes a designed slipcase, an art lithograph, a gold front encompass, and a ribbon marking.^[3] ^[5]

1 Contents
- 1.1 Affiliate 1: Early development
- 1.2 Chapter Two: Season Ane: H2o
- 1.three Chapter Three: Season Ii: Earth
- 1.4 Affiliate 4: Season Three: Burn down
- 1.five Affiliate Five: Ancillary art
two References
3 See also

The book contains five chapters:

Early development (pages viii through 37)
Season One: Water (pages 38 through 83)
Season Two: Earth (pages 84 through 129)
Flavor Three: Fire (pages 130 through 172)
Ancillary art (pages 172 through 183)

The beginning edition includes a foreword by the manager of The Last Airbender, M. Dark Shyamalan (page six), while in the second edition the foreword was written by Gene Luen Yang, who authored the beginning v Avatar graphic novel trilogies. The volume also includes an introduction by Avatar creators Bryan Konietzko and Michael Dante DiMartino (page seven). The very concluding folio contains a conclusion, which is again written by the creators.

The volume explains how the serial was created and gives one an idea of the efforts that went into such an endeavour. Thanks to the many cute illustrations, the book also lets the reader go a footstep further into the deep World of Avatar.

Chapter Ane: Early development

Early concept art of Aang, Appa, and Momo.

The pre- and early developmental stages were different to the series created. The two creators, Bryan Konietzko and Michael Dante DiMartino, brainstormed ideas on how to make an animation series, and not only made incredible progress with their dream to brand a television show, but likewise began a journeying that would atomic number 82 them to a lifelong friendship. In the beginning, the show had a futuristic setting; Aang was not an Air Nomad from a hundred years agone, only rather a male child from a lost civilization from over a chiliad years prior. He had a robotic sidekick named Momo-3, who later became Aang's lemur Momo, and a bear-dog that, while non making it into the serial' cutting, afterward became the inspiration for Avatar Korra'south beast companion. According to Konietzko, Aang was originally "a farmer kid, shepherding mammoth floating livestock like huge manatees ..." He also goes on to country the original idea behind the arrow was to go the herd to trust him through imitation. This idea was later dropped, much to Bryan Konietzko's dislike, every bit at that place was no place for all of them in every episode. Nevertheless, they too played their role in the series, having inspired the idea of Appa.

An early on sketch of Appa and Aang to emphasise the "epic spirit of the serial".

As soon as the series had progressed to the point where Aang was going to be a kid frozen in an iceberg for a hundred years, and the last hope for world peace, the characters of Katara and Sokka were developed. Even though their designs at the time were notwithstanding different, Bryan and Mike both knew that Katara and Sokka were going to become a major role of the testify.

Co-ordinate to the ii co-creators, in the very showtime the Burn Lord was the but villain planned for the show. Soon however, Eric Coleman, ane of the members of the Avatar squad, suggested an idea which gave birth to Zuko, the banished prince. With their thought finally ready, Bryan and Mike decided that it was time to brand the airplane pilot.

Affiliate Two: Season One: Water

The page dedicated to Iroh.

Subsequently the pilot and the series were accepted by Nickelodeon, Bryan and Mike started recruiting a larger team to make the series. After succeeding in finding a studio in S Korea, the team began work on the ii-episode season premiere. Iroh was added while making the first episode; he was at first going to be Zuko's sifu, but later on on became his uncle to make the story more personal. Co-ordinate to Bryan, Mako fabricated Iroh'south character complete past calculation a sense of humor to the character.

At first, only thirteen episodes were scheduled by Nickelodeon, thus making "The Blue Spirit" the last episode. Even so, Nickelodeon'southward reaction to the 13 episodes made was highly positive, and they let the testify go on and aggrandize. By the cease of the first season, the serial had connected with a wide audience, both male and female; the creators themselves admitted that they had never expected such a positive reaction and such a large audition.

Chapter Three: Season 2: Earth

A visual comparison between the Great Wall of China, and the Outer Wall of Ba Sing Se.

In forming the 2nd season, the creators traveled to Mainland china to proceeds inspiration - especially the compages. Sites such as the Great Wall and the Forbidden City provided the scale used to inspire Ba Sing Se. Later stumbling upon an architecture park, the duo found in an "inspirational goldmine", which happened to feature a vast array of Chinese architectural styles from a diverseness of ethnicities and eras.

This chapter shows several of these pictures, aslope the artwork from the series that was inspired by each i. The influences of these images can be seen throughout the World Kingdom; the Dandy Wall tin can be directly related to the Outer Wall of Ba Sing Se.

The third affiliate goes into some detail of the episodes of the 2nd serial; nevertheless, it as well explains and elaborates on the designs and personalities of newly introduced characters, such as Azula, Mai and Ty Lee, and Toph.

Affiliate Four: Flavor Three: Fire

Storyboards of the energybending sequence performed past Aang on Ozai.

The 4th chapter goes into some particular how the third and terminal series adult, from the introduction of new characters, such every bit Combustion Human and Hama, and the inspiration behind the unique landscape of the Burn Nation.

This chapter showcases a pregnant number of background sketches and drawings, from Piandao'south castle, the Western Air Temple, Wulong Wood and Sozin's Comet, and the sunset over Iroh's tea store.

Fire Lord Ozai is also showcased, given several pages to show the unlike grapheme designs during dissimilar parts of the season. Great detail went onto explaining the 4 part finale, and how it transferred from the minds of the creators to the blitheness. Information technology features sketches of the king of beasts turtle and Fire Nation airships, and the total sequence of Aang energybending.

Chapter 5: Ancillary fine art

An early example of the chibi-style artwork used in the Super Deformed Shorts.

The last chapter features several additional pieces of artwork, such equally promotional poster drawings, the DVD and volume covers. A birthday carte, drawn past DiMartino for a girl who "wanted [him] to make Aang alive", and several caricatures of other storyboard artists are also shown. It also explains how the commencement 'super plain-featured' (SD) version of the characters came to be and gives a detailed page of the different expressions used for the characters in the three shorts. In the 2d edition, a series of pages feature fine art drawn to raise clemency funds during the COVID-19 pandemic. The terminate of the chapter is a elementary give thanks-you annotation, acknowledging both their team and the reader.

References

↑ ^1.0 ^ane.1 Avatar: The Last Airbender—The Art of the Blithe Series HC. Retrieved on July 25, 2020.
↑ ^2.0 ^2.1 ^2.ii Comics Continuum: Nighttime Horse Comics for April. Retrieved on March 31, 2012.
↑ ^3.0 ^iii.1 Avatar: The Last Airbender—The Art of the Animated Series HC (Second Edition). Retrieved on July 25, 2020.
↑ rufftoon (May 19, 2010). Information technology's a adept week for Avatar fans.. LiveJournal. Retrieved on July 25, 2020.
↑ Penguin Random House: Avatar: The Concluding Airbender—The Art of the Blithe Series (2nd Edition). Retrieved on July 25, 2020.

Avatar the Last Airbender Art of the Animated Series

Contents